We spent much of Sunday evening at the United World College, attending a student recital, which featured some excellent instrumental and vocal offerings.
We went as guests of our get-away student, Belen Sogo Mielgo, from Madrid, Spain.
Some of the entrants sang, some played the piano, and with kids in the late teens (and even of any age), there’s bound to be a slip or two — obvious to all.
So I remembered my own youth, when I was a work-study student at Highlands University’s music department. I worked under then-chairman Champ Tyrone and spent time with Ronald Wynn, the choral director. Once I asked Wynn, “You know that piano recital you asked me to tape last night at Ilfeld: Well, when the pianist hit the wrong note, why is it that everyone noticed?â€
Wynn explained why even the most un-musical person on the planet — I think he was referring to me — notices keyboard errors. He spoke in terms too technical for me, and through no fault of his, I failed to take note of the tenor of his explanation.
But rather than turn this into a treatise on how lay persons take in music, let me digress to discuss our family’s experience with the first and only piano our family ever owned. Continue reading